The Wild Bunch

1969

Action / Adventure

8
IMDb Rating 8.0

Synopsis


Downloaded 5698 times
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2.76G
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Normal
English
23.976 (23976/1000) FPS /
145 min
P/S 176 / 333
1.75G
1280x528
Normal
English
23.976 (23976/1000) FPS /
145 min
P/S 63 / 274

Movie Reviews

Reviewed by John-376 10/10

An incredible performance by Bill Holden is the high point of thissensational, landmark film. Holden made a whole career out oflaid-back, easy-going, what-the-hell sort of characters but here, athis zenith, he departs from type and plays a character so mean and soembittered that in some ways he even out-Bronsons Bronson himself.<br><br>The Wild Bunch is a group of disillusioned outlaws who are out of timeand they know it. When Sykes says that they've got one of those things(a car) up north that can fly, they gloomily accept that thisnew-fangled 20th Century is not for them.<br><br>It is a movie all about values and about a man's loyalty to hiscompanions. Holden brilliantly declares that if you cannot stand by aman who rides with you, you are like some kind of animal. In the end,that is all these hunted men have: their loyalty to each other.<br><br>And so they band together for one last walk to try and rescue theirdoomed Mexican comrade. The bloodbath that follows is an eloquentsummary of their lives. They who live by the gun.....<br><br>Superb performances by Holden in particular and also by O'Brien, Ryan,Borgnine, Oates and Johnson. Peckinpah's finest hour. Definitely tenout of ten.

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Reviewed by dave-770

I got this movie on DVD at the suggestion of my brother. I admit to knowingnothing about it's director and a complete lack of familiarity with most ofit's actors or the mythology behind it's production (I was born years afterit was made). I can, however, safely say this: this is one of the greatestmovies ever made. Every aspect of the film is flawless, from the acting tothe cinematography to the script.<br><br>This is also the most truly macho of all macho movies. It's not cartoonishmachismo, rather it's the kind of machismo you see in drywall hangers:no-nonsense comments like &quot;We're after men&quot; and &quot;Let's go&quot; predominate, themen don't swagger around and violence is approached (fairly) honestly. Thereserved dialogue and physicality reminds me of &quot;Seven Samaurai&quot; (to whichthis film owes a great deal). To me, that is the highest praise that I cangive a movie.<br><br>The photography is amazing: the desert looks sweltering and parched, theclose-ups of actor's faces outdoes Sergio Leone and the action is probablythe best ever filmed. Scorcese and Tarantino obviously owe a lot toPeckinpaw. The scene duringthe opening credits of &quot;Reservoir Dogs&quot; is a direct lift from this movie,just to cite one of countless examples.<br><br>The acting is on par with the direction. Robert Ryan steals the show and,c'mon, who doesn't love Ernest?<br><br>Some would poo-poo the films treatment of women, and I am not going to getinvolved in that debate. Just go see it because, like the best movies, itimmerses you in a time and place. Smell the sage!

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Reviewed by Bill Slocum ([email protected]) 8/10

&quot;The Wild Bunch&quot; is one of those movies people don't agree on, eventhose that agree it's great. It's definitely complex, entertaining in adisturbing way, and manages to be at once nihilistic and moralistic,not an easy trick, especially for a cowboy film.<br><br>The first problem we have to deal with when watching this film is thefact there's very quickly a gunfight going on and, against all movieconvention, no one to root for. There's an all-star cast on one side,including William Holden, Ernest Borgnine, Ben Johnson, and WarrenOates, but against all expectation, they turn out to be a pretty blackcrew. About the first thing out of Holden's mouth, said about a cowedgroup of innocents, is &quot;If they move, kill 'em,&quot; and before the battleis over, we've seen him and his team commit all sorts of savagery.About the only reason we don't immediately see them as evil is that thepeople they battle are no better.<br><br>Over time, we are encouraged to find something of value in Holden'sPike Bishop and his ruthless confederates, as they ride away, licktheir wounds, and try to figure out how to get something else going,anything. The only problem is its 1913 and these outlaws are runningout of time and options. &quot;I'd like to make one good score and backoff,&quot; is how Pike says it, to which Borgnine's faithful buddy Dutchexclaims: &quot;Back off to what?!&quot;<br><br>Chasing the bunch, and offering the viewer the film's one sympatheticcharacter, is Robert Ryan as Deke Thornton, a former partner of Pike'swho doesn't want to go back to jail and for whom killing the bunch isthe one unpleasant means of securing his freedom. Ryan, who died in1973, is probably not as recognizable as the other leads today, but helends a sad, elegiac presence to his on-screen moments that give thefilm much of its grace and warmth.<br><br>The final star is director Sam Peckinpah, who made a trulyrevolutionary film that not only pushed the art of film forward butholds up today as a cinematic experience. Time has been kind to thisfilm in a way it hasn't to other ground-breaking auteur moments fromthe same era, like &quot;MASH&quot; and &quot;Easy Rider.&quot; When &quot;The Wild Bunch&quot; cameout just as the 1960s were ending, people were truly shocked by theviolence and cruel characters. Today, of course, such things are socommon, and so mindlessly celebrated, that we find ourselves admiringwhat Peckinpah does for the surprisingly subtle and restrained way hegoes about presenting us with mayhem and carnage, and his refusal toglorify it, however exciting and entertaining the overall package.<br><br>Surprisingly for a director who had trouble getting work at the time,Peckinpah landed three Oscar winners in the cast, and a fourth, BenJohnson, who'd win his a couple of years later. Obviously, the actingis strong, each player investing his spare lines with the right degreeof space and spirit, but it's probably worked even better that themovie game in 1969 was in the process of passing the fuddy-duddy likesof Holden, Borgnine, and Edmond O'Brien behind. This makes them verybelievable as a group of hard-nosed has-beens. In that light, it's kindof cool how hip this film so quickly became when it was released.<br><br>It's such a good film it's easy to overlook minor weaknesses. There's anice bit of symbolism in the beginning, now famous, where the gangrides past a group of children tormenting scorpions and ants, but thepoint, once made, is beaten into the ground. There are some bits ofconvenience that stick out, like when a gunned-down outlaw rises andmows down his attackers with a few too-precise shotgun blasts. Thegeneral dislikeability of just about everything and everybody does feela bit of a weight after a couple of viewings.<br><br>But what's great is just awesome, especially that opening sequence andthe final showdown at Bloody Porch. Such terrific punch-drunk ambiance,it's almost a shame to watch it sober. The feeling of a new era comingupon us, which we see in everything from the doughboy uniforms at theoutset to the car General Mapache rides around in, is redoubled by theglorious splendor, even clarity of this picture. Is it too much topraise a movie for the quality of the film stock itself? This is aparadox film, one about obsolescence and growing old that remainsstartling new-looking and fresh 35 years on.

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