The Neon Demon

2016

Horror / Thriller

13
IMDb Rating 6.7

Synopsis


Downloaded 6494 times
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23.976 (23976/1000) fps /
117 min
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1.43G
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Normal
English
23.976 (23976/1000) fps /
117 min
P/S 0 / 0

Movie Reviews

Reviewed by paddybass 9/10

Nicolas Winding-Refn is a director who defies all analysis. Mostconsidered him a surefire &#x22;Commercial Success&#x22; following on from hisexceptional adaptation, Drive back in 2011. However, against all oddsWinding-Refn went darker, more subversive and all together morepolarising with his 2013 release Only God Forgives.<br><br>The Neon Demon is sure to be equally divisive. I was lucky enough toattend the red carpet premiere of the film in Cannes and was personallyblown away by it&#x27;s unique style &#x26; vision. It&#x27;s long slider shots demandattention and draw attention to every minute detail on offer. It&#x27;s useof mirrors encourages the viewer to look beyond the &#x22;real&#x22; world andexamine what lies on the other side.<br><br>Obviously, it goes without saying that this film looks amazing. Ifnothing else, most of Winding-Refn&#x27;s supporters or critiques will admitthat his films aesthetics are always incredible. However, despite themuted dialogues and slow pacing, the film gripped me for its full 110minute run time. This was because, although the movie is a &#x22;horror&#x22;,it&#x27;s so much more. It&#x27;s an examination of the human obsession withbeauty.<br><br>Elle Fanning does a remarkable turn as Jesse - a young runaway, tryingto make it big in Los Angeles. Her beauty is so powerful that thingsbegin to work to her favour almost immediately on her arrival. Moreover than that, her beauty seems to encapsulate and draw in thosearound her, while repelling her peers who scathe her. Her naturalbeauty is something that all the plastic surgery in LA can&#x27;t generate.<br><br>Jena Malone steals the film as Ruby - a make up artist who befriendsJesse as soon as she arrives in the town. She also introduces Jesse tothe vacuous and vindictive pair of models played by Bella Heathcote andAbbey Lee. If you haven&#x27;t guessed already this is a film with a realfocus on females. Although there are a handful of male characters(Dexters Desmon Harrington does an incredible turn as a high powerfashion photographer), the focus here is all feminine. Even down to thedecision to bring in a female DOP to shoot the film.<br><br>There are too many twists and turns to get into here, but all I can sayis that this could be Winding-Refn&#x27;s most powerful movie to date. It&#x27;san analysis on the human condition and our obsession with naturalbeauty. It claws and scratches at our preconceptions and breaks usdown, revealing the gooey centre; what makes us tick. Stellarperformances, amazing visuals, a banging score and a unique storylinewill cement this as a cult classic - of this I am sure.<br><br>I cannot wait for the theatrical release if only to have more time tosoak in the films dreamy visuals, take in more of the films subtextsand once again be blown away by the force of nature that is NWR.

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Reviewed by redhotchilipieper 3/10

As a viewer who has enjoyed a handful of Nicolas Winding Refn&#x27;s workslike Drive, Bronson, Valhalla Rising, and even Only God Forgives &#x96;which I defended wholeheartedly in a 2013 Amazon review &#x96; it pains me alittle to kick off my review with the following statement: It isdifficult to decide what I dislike most about Nicolas Winding Refn&#x27;sThe Neon Demon. Critics giving Demon positive reviews and arguing thatits monomaniacal focus on style is intentionally on par with the film&#x27;smessage are missing the reality that NWR&#x27;s creative juices are simplydried up at the moment.<br><br>So what is the least admirable trait of Refn&#x27;s latest? Is it thepaucity original thought? The onslaught of the routinely neon- drenchedKubrickian imagery? The fact that a good sixth of the movie feels likethe director got away with making fetish porn with an Amazon Studios(and about a half dozen other production companies) budget? I&#x27;m noteven going to start in on the film&#x27;s literal blood baths, but I thinkthat the lack of originality is probably the worst part.<br><br>Audiences have already seen everything that The Neon Demon has tooffer. Cinematically speaking, there is nothing more than the usualslew of rehashed Kubrick frames (including a groan-worthy Shining shoutout within the first few minutes). Aside from a memorable strobe- lightinspired scene of a performance at a model- populated L.A. party, Refnadds nothing new to his aesthetic arsenal that he has not alreadysplashed on the screen with his previous four films.<br><br>From a narrative standpoint, one should not expect a fully-formed,fleshed out story or characters. These are not Refn&#x27;s preoccupationswhen making a movie, and there&#x27;s nothing inherently wrong with that.That is, if the film&#x27;s style and themes can compensate. Stylistically(see paragraph above), it does not hold any substantial weight.Unfortunately, there is even more of a thematic drought.<br><br>At one point in the film, the increasingly narcissistic protagonistJesse (Elle Fanning) says that other girls will cut, carve, inject, anddo anything else to their own bodies just so that they can look like asecond- rate version of her. The girl from the small town who seemed sonice starts becoming a bit conceited by her time in the fashionindustry. Can you believe it? Imagine that! Wow, what is the directortrying to say about fashion? Hollywood? The male gaze? SOCIETY?<br><br>If there is one thing that 2106 films like The Neon Demon and Zoolander2 should be teaching would-be blockbuster directors and art-houseauteurs alike, it is that the fashion industry has become one of thestalest targets for satire in any artistic medium or genre. It&#x27;s notthat superficiality doesn&#x27;t deserve it, but at this point if a writeror a director has nothing original to say about it, then they shouldnot be saying anything all.<br><br>To be fair, the trite and shiny cloud of unoriginality that is The NeonDemon does have its silver linings. I have never felt so badly for afilm score than I do for Cliff Martinez&#x27;s excellent work on thissoundtrack. While the message of the movie will blend in with themental smoothie of other Hollywood/superficiality parable flicks, Iwill not easily be able to excise Martinez&#x27;s thumping synths from myears. I will also never forget the intensity of Abbey Lee&#x27;s stares.<br><br>There are also less silvery scenes involving Jena Malone taking thetired psycho lesbian trope to whole new level and an absurdly NicolasCage-esque Keanu Reeves as an acrimonious motel manager that I will notforget for other reasons (primarily the random shock-less &#x22;shock value&#x22;senselessness of them). I wish I could recommend The Neon Demon as astartlingly original work from a gifted auteur, but it feels like Refnsimply isn&#x27;t challenging himself or the audience in any meaningful way.Here&#x27;s hoping that this kind of trite and shiny would-be shock festwill not be the only thing that Refn has to offer cinema in the future.

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Reviewed by Claudio Carvalho 3/10

The sixteen year-old aspiring model Jesse (Elle Fanning) arrives in LosAngeles expecting to be a successful model. The aspirant photographerDean (Karl Glusman) takes photos for her portfolio and dates her. Jessebefriends the lesbian makeup artist Ruby (Jena Malone) and then theenvious models Gigi (Bella Heathcote) and Sarah (Abbey Lee) in a party.Meanwhile the agency considers Jesse beautiful with a &#x22;thing&#x22; thatmakes her different and she is sent to the professional photographerJack (Desmond Harrington). Jesse attracts the attention of the industryand has a successful beginning of career. But Ruby, Gigi and Sarah arecapable to do anything to get her &#x22;thing&#x22;. <br><br>&#x22;The Neon Demon&#x22; is another overrated and boring film by NicolasWinding Refn. This filmmaker is specialist in making shallow films withbeautiful cinematography. The long and annoying &#x22;The Neon Demon&#x22; is noexception. The storyline is &#x22;naive aspiring model goes to LA and isdevoured by the system&#x22; is disclosed along 1h 58 minutes running time.Elle Fanning is not a beautiful teenager to justify the hype from theindustry; therefore her character has &#x22;a thing&#x22; to explain her successfor simple mortals like most of the viewers. The most impressive arethe positive reviews and the conclusion might be the following: NicolasWinding Refn is a darling of the cinema industry; or Nicolas WindingRefn has a strong team of people to write positive and overratedreviews of his films in IMDb. The fake horror genre misleads theviewers and fans of the genre. My vote is three.<br><br>Title (Brazil): &#x22;Dem&#xF4;nio de Neon&#x22; (&#x22;Neon Demon&#x22;)

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