The Girl on the Train

2009

Drama /

5
IMDb Rating 6.0

Synopsis


Downloaded 1663 times
6/10/2021 2:02:36 PM

1080p 720p
1.94G
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French
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105 min
P/S 0 / 0
1.79G
1920*816
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French
25 fps /
105 min
P/S 0 / 0
889.60M
720x306
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French
23.976 (24000/1001) FPS /
105 min
P/S 0 / 0
892.58M
1280*544
Normal
French
25 fps /
105 min
P/S 0 / 1

Movie Reviews

Reviewed by secondtake 5/10

The Girl on the Train (2009)<br><br>The hook that made this movie successful is not enough to make themovie good. The added plot in the first half fizzles and seemsultimately irrelevant. Yes, the main actress plays the part of an&#x22;airhead,&#x22; as the subtitle translates her stupidity. But the movieitself has some of the same disease. It lacks formal intelligence, andit stretches out a few basic ideas over 105 minutes, posing as aserious movie with serious implications.<br><br>Not that it&#x27;s misery to watch. In a way, the fact that you get suckedin waiting and waiting for some basic conflict to formulate sayssomething about the acting and editing. This is contemporary Paris, ora cozy, idealized side to it. And you can&#x27;t dismiss the theme ofanti-Semitism, which gets some elaboration and complexity as you go,including some great, if simplified, conversations between Jews attheir country house about what it means to be a contemporary Jew. It&#x27;sconveniently packaged, but adds some needed interest to the events.<br><br>This leads eventually to a rather long and oddly placed bar mitzvahcelebration, and some more roller blading filler. It&#x27;s a frustratingthing to see all this content watered down by a single turn of events,the faked hate crime attack, which happens well past the halfway pointof the movie. And around which the suspense of being fooled is left outof the movie, because we are told everything as it happens.

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Reviewed by gradyharp 8/10

Andr&#xE9; T&#xE9;chin&#xE9;&#x27;s &#x27;The Girl on the Train&#x27; (La fille du RER) focuses on anaive girl Jeanne (&#xC9;milie Dequenne) who fabricates a story about beingattacked on a suburban Paris train by black and Arab youths whosupposedly mistook her for a Jew. The story is based on a real eventthat took place in France in 2004, adapted for the stage by Jean-MarieBesset as &#x27;RER&#x27;, and written for the screen by Besset, Odile Barski,and director T&#xE9;chin&#xE9;. T&#xE9;chin&#xE9;, stating that &#x27;the story became themirror of all French fears, a revelation of what we call the&#x27;collective unconscious.&#x27; How an individual&#x27;s lie is transformed intotruth with respect to the community at large and its fears&#x27;, &#x27;The Girlon the Train&#x27; dissects the psychological circumstances and consequencessurrounding a bold lie in a rich drama, concentrating on thepermutations such an act has one all concerned. <br><br>Jeanne lives with her single mother Louise (Catherine Deneuve) whomanages the family finances as a childcare provider. Jeanne spends thegreater part of her time roller skating and it is on one of herexcursions that she meets the rather mysterious Franck (NicolasDuvauchelle), a young wrestler who immediately attempts to win Jeanne&#x27;sattention and affection despite Jeanne&#x27;s insecurities. They eventuallyrespond to the mutual chemistry and Franck searches for a way to helpJeanne out of financial difficulties: they become caretakers in awarehouse home, which is unbeknownst to Jeanne, a drug traffickingsite. An incident occurs when a &#x27;buyer&#x27; shows up and Franck is stabbedin defending his caretaker job and Jeanne&#x27;s future. Jeanne isdistraught but when she visits Franck in the hospital, Franck blamesJeanne for his bad luck and rebuffs her - he must now serve prison timefor his involvement in the drug game. <br><br>Now, torn between her loss of money, her new &#x27;home&#x27;, and the love ofFranck, Jeanne plans a manner of striking back: she slices her skin,clips her hair, and paints swastikas on her abdomen and reports thatshe has been attacked by anti-Semites. Louise seeks the assistance ofan old flame who is now the important Jewish lawyer Samuel Bleistein(Michel Blanc) - man with whom Jeanne had unsuccessfully interviewedfor a job - and what Louise thought would be a protection for bothFranck and Jeanne results in Jeanne&#x27;s confession that she fabricatedthe entire incident, a factor that disrupts the lives of all thoseaffected by the lie, especially the family of Bleistein alreadyteetering on disintegration due to the rocky marriage of his son anddaughter-in-law and the preparation for the grandson&#x27;s contested BarMitzvah. <br><br>T&#xE9;chin&#xE9; knows how to take seemingly ordinary people and circumstancesand show the profound effect of evil wherever it raises its head. Thefilm is enhanced by the verismo photography by Julien Hirsch and theapropos musical score by Philippe Sarde. While this film is not quiteup to the standards of T&#xE9;chin&#xE9;&#x27;s films such as &#x27;Wild reeds&#x27;, &#x27;MyFavorite Season&#x27;, &#x27;Changing Times&#x27; or &#x27;Strayed&#x27;, it still maintainsthat realistic surface beneath which lies the real grit of life. InFrench with English subtitles. <br><br>Grady Harp

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Reviewed by Sindre Kaspersen 8/10

French screenwriter and director Andr&#xE9; T&#xE9;chin&#xE9;&#x27;s eighteenth featurefilm which he co-wrote with French author and screenwriter Odile Barskiand French playwright and translator Jean-Marie Besset, is anadaptation of a play from 2007 by Jean-Marie Besset and inspired byreal events which took place in France in the early 2000s. It premieredin France, was screened in the French Revolutions section at the 53rdBFI London Film Festival in 2009, was shot on locations in France andis a French production which was produced by producer Sa&#xEF;d Ben Sa&#xEF;d. Ittells the story about a woman named Jeanne who lives in Paris, Francewith her mother named Louise and whom is thinking about travelling toItaly whilst her mother is making other plans for her.<br><br>Distinctly and precisely directed by French filmmaker Andr&#xE9; T&#xE9;chin&#xE9;,this finely paced and somewhat fictional tale which is narrated frommultiple viewpoints though mostly from the main character&#x27;s point ofview, draws a multifaceted portrayal of a French daughter in hertwenties whom whilst out looking for a suitcase meets a man namedFranck, and a son named Nathan whom is caught somewhere between hisdivorced parents. While notable for its naturalistic and atmosphericmilieu depictions, reverent cinematography by French cinematographerJulien Hirsch, production design by production designer Mich&#xE8;le Abb&#xE9;-Vannier, costume design by costume designer Khadya Zegga&#xEF; and use ofsound, colors and light, this character-driven and narrative-drivenstory about lies, misunderstandings and the occasions leading up to awoman&#x27;s response to learning about the Holocaust, depicts aninvestigative study of character and contains a great and timely scoreby composer Philippe Sarde. <br><br>This reconstructive, quick-witted, consequential and psychologicaldrama from the late 2000s which is set in the capital city of France inthe 21st century and where a wrestler falls in love, a separated coupleis in constant negotiations regarding their time with their son, themedia is reporting anti-Semitic acts and a mother one day recognizes aJewish attorney named Samuel Bleistein whom she once knew, is impelledand reinforced by its cogent narrative structure, substantial characterdevelopment, rhythmic continuity, interrelated stories, denselyromantic undertones, distinct style of filmmaking and the significantacting performances by Belgian actress &#xC9;milie Dequenne, French actorsNicolas Duvauchelle, Michel Blanc and Mathieu Demy, French actressCatherine Deneauve and Israeli actress Ronit Elkabetz. An engaginglyconversational, profoundly cinematographic and tangible narrativefeature.

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