The Brown Bunny

2004

Drama /

14
IMDb Rating 5.0

Synopsis


Downloaded 5493 times
12/5/2021 5:08:56 AM

1080p 720p
1.81G
Normal
German
/
93 min
P/S 2 / 1
1.58G
1776*1072
Normal
German
23.976 fps /
93 min
P/S 7 / 21
818.05M
720x436
Normal
German
23.976 (23976/1000) FPS /
93 min
P/S 0 / 2
871.56M
1192*720
Normal
German
23.976 fps /
93 min
P/S 3 / 17

Movie Reviews

Reviewed by Rogue-32 10/10

I saw Buffalo 66 long before I started posting reviews at imdb, so I haven'twritten about that film but I loved it, I give it a 10, and after seeing TheBrown Bunny at the Nuart on Saturday evening, I am here to report that Igive Gallo's second feature film the same rating. <br><br>A lot of people seem to be misunderstanding this movie, or just notappreciating it, or perhaps both. There are many reasons for this, none ofthem valid in my estimation. The biggest protests, from what I've beenreading, seem to be in the 'lack of plot' and 'vanity project' areas.<br><br>I can understand how the film would be a little slow for a lot of people,since it's basically an internal study, with none of the 'usual' mainstream(or even indy film) tactics. And in fact that's what I loved the most aboutthe movie - how Gallo has the artistic wherewithal to be true to HIS visionof what a film can be, to how a plot of a film (and there IS a plot) can beplayed out in a different, less recognizable way, which leads to one of thereasons I think people are calling this a vanity project (aside from theinfamous scene toward the end -- which I have to say is ABSOLUTELY ESSENTIALto the film, once you find out what's really going on with our sick puppyBud Clay) : because the movie doesn't follow a 'typical' set-up, requiring abit more patience on the part of the viewer, a lot of people feel morecomfortable dismissing this unbelievably profound piece of work as a 'vanityproject'. In reality, I believe the opposite is true: Gallo is giving hisaudience more credit than they perhaps deserve, in presenting such a stark,uncompromising character study. The fact that a lot of this audience choosesnot to accept him on his terms does not diminish his power and the power ofthis movie. Can't wait for the next one, Vincent.

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Reviewed by Brigid O Sullivan (wisewebwoman) 2/10

Yeah, I got it. It took a torturous 1-1/2 hours to get there but I wasspared the 26 minutes more that others had to suffer through in theoriginal cut.<br><br>Strange camera angles of pumping gas, lying in hotel rooms,urinating,eating, driving, driving, driving. Crying, hugging women wordlessly.Driving Driving Driving.<br><br>Yeah, the fellow is grieving a lost love with a flower&#39;s name, yeah,he&#39;s attracted to other women with flowers&#39; names. Yeah he was sortaresponsible for the loss of his love. B-b-b-b-ut we never know whatthat love was all about, was it as shallow as depicted here? You can&#39;tcare about the main character, how can you. You know nothing of him.<br><br>This is one of the most self-indulgent movies I&#39;ve ever seen. With amoney shot at the end.<br><br>Avoid. 2 out of 10 for the Gordon Lightfoot song on the soundtrack.

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Reviewed by cinefilia 10/10

I had heard about the controversy surrounding The Brown Bunny (whohadn't?)--the feud with Roger Ebert, the graphic sex scene--so when Ireceived an invitation to a press screening, I jumped at the chance tosee what the trailer calls &quot;the most controversial American film evermade&quot;. What the trailer and all the hype didn't prepare me for was thefact that The Brown Bunny could also be considered one of the mostoriginal American films ever made. In a time of overblown budgets andenormous productions with endless crew lists, Vincent Gallo has almostsingle-handedly made a concise, well-thought out, conceptual film--apoignant, touching love story. It's not often that a director's secondfilm is more daring than his first--money, greed and Hollywood powerseem too tempting to most and sophomore efforts usually represent thebig sell out. Not so The Brown Bunny, not so Gallo the iconoclast. Hemanages to make a second film more interesting, more intimate, morerevealing and more memorable than his first. And he manages to do itoutside the system.<br><br>Gallo's instincts as a director are spot-on. Not only does he pull fromChloe Sevigny the performance of her career, he also solicits from acast of complete unknowns and non-actors (including Cheryl Tiegs)painfully believable performances. I have always thought his talents asan actor were underrated, but surely The Brown Bunny will provide himhis due as Bud Clay, a motorcycle racer undergoing a breakdown whiledriving across the country. Simply put, Gallo as Bud is devastating. Atone point during the film, I was so tense watching him fall apart thatI realized that I had been holding my breath through the entire scene.When you stop to think that he is also directing himself and directingthe photography, it's that much more impressive. <br><br>I don't know how someone circumvents the Hollywood system to make amovie in this day and age, but it seems that Gallo has not only donethat, but done it in a way that is memorable, haunting and visuallystunning. This is a truly radical film made by a very courageousfilmmaker, someone willing to tell a story, tell it honestly and sufferthe consequences of his convictions. Pasolini would be proud.

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