Someone to Watch Over Me

1987

Crime / Drama

4
IMDb Rating 6.1

Synopsis


Downloaded 1556 times
2/13/2017 10:47:02 PM

720p
937.92M
720x400
Normal
English
23.976 (23976/1000) FPS /
106 min
P/S 132 / 37

Movie Reviews

Reviewed by 038onits ([email protected]) 8/10

This has been one of my favorite movies. I admit that this is notsomethingthat might be recognized by academy people. There is nothing new andoriginal about the story and situation and it is rather easy to guess whatwould happen next. But somehow it is an attractive movie (to me?) and Ikeepwatching it over and over (I have a video). Actors are good and the viewofNew York is wonderful in every part of the movie. Most of all music issuperb! Ever since I first saw this movie, "Someone to watch over me" hasbeen my favorite jazz standard. One more thing. If somebody else directedthis it might have been VERY boring. Great touch by Ridley Scott.

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Reviewed by Claudio Carvalho 10/10

In Queens, Mike Keegan (Tom Berenger) is celebrating with his wifeEllie (Lorraine Bracco), his son Tommy and friends his recent promotionto detective in a precinct in Manhattan. Meanwhile, in a fancy club,the socialite Claire Gregory (Mimi Rogers) witnesses the murder of theowner of the place by the powerful mobster Joey Venza (AndreasKatsulas). Mike is assigned to protect her in the night shift in herapartment in Manhattan. When Venza threatens Claire, the contact ofMike with Claire gets closer and conflicts him, dividing between thelove for his family and the heat passion for Claire and the fascinationfor her world. <br><br>Today I have just watched &#x22;Someone to Watch Over Me&#x22; maybe for thesixth or seventh time, and every time I see this movie, I conclude thatit is an underrated stylish masterpiece. Everything works perfectly inthis film. The story may be not original, the conclusion is quitemoralist, but there is an important and unusual approach regarding thedifference of classes and consequently of worlds, which is the basisfor the conflictive romance between Claire and Mike. The direction ofRidley Scott is tight and perfect, as usual, using different anglescamera and magnificent photography and shadows in the night, to expressthe differences between the two worlds. There is one specific scenethat I love, when Mike is sat with his face half illuminated in thehall of Claire&#x27;s apartment, totally confused and with his feelingsdivided. The cast is very inspired, and in my opinion, this is the bestrole of Mimi Rogers, amazingly perfect as an elegant, wealthy and needyof love woman and wearing a beautiful hair style. Tom Berenger isoutstanding as Mike, and Lorraine Bracco is also fantastic in the roleof a simple woman and wounded wife. The music score is awesome,highlighting the three versions of the song of George and Ira Gershwin,which gives the title of the film, specially the last one with theinterpretation of Roberta Flack. My vote is ten.<br><br>Title (Brazil): &#x22;Perigo na Noite&#x22; (&#x22;Danger in the Night&#x22;)

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Reviewed by robb_772 8/10

A highly stylized crime thriller that also manages to work as a tale ofadulterous romance in addition to an effective parable of the cultureclashes that are apparent between the upper and lower classes. This isa film with multiple agendas, and Ridley Scott, best known at the timefor 1979&#39;s ALIEN and 1982&#39;s BLADE RUNNER, is frankly an odd choice todirect such a picture. However, Scott proves himself to be up to thechallenge, and film plays like a slightly abstract dream that isn&#39;tafraid to crash down into gritty realism on occasion. With his filmnoir skills perfected with BLADE RUNNER, Scott turns the focus from thefuture to an equally idealized version of the present (well, 1987 to beexact), but he maintains the same sense of visual menace and harshindustrialism.<br><br>Tom Berenger has received a considerable amount of criticism for theirritating fake Brooklyn accent he delivers his lines in, but I overallI found him to be quite acceptable in the role. Even better is MimiRogers, who convincingly portrays the detached loneliness of the highsociety lifestyle without the benefit of screen dialogue that permitsher to openly address such an issue. Jerry Orbach and John Rubinsteinare also memorable supporting parts, but it is Lorraine Bracco whosteals the picture as Berenger&#39;s feisty wife. Long before she was bestknown as Tony Soprano&#39;s psychiatrist, Bracco brought to the screen theultimate portrayal of the modern wife and mother - loving but fierce,tough but compassionate, and not afraid to slap some sense into the manwho has done her wrong.<br><br>And I love Sting&#39;s opening rendition of the title Gershwin classic.

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