No Name on the Bullet

1959

Western /

4
IMDb Rating 7.3

Synopsis


Downloaded 3102 times
1/17/2017 6:07:57 AM

1080p 720p
1.47G
1920x872
Normal
English
23.976 (23976/1000) fps /
77 min
P/S 0 / 0
959.19M
1280x576
Normal
English
23.976 (23976/1000) fps /
77 min
P/S 1 / 0

Movie Reviews

Reviewed by jacksflicks 8/10

Movies like No Name on the Bullet uncover the depth of talent inHollywood. The roles are filled almost exclusively by familiar faceswith unfamiliar names - R. G. Armstrong, Willis Bouchey, Edgar Stehli -with the result that one can concentrate on the story characters ratherthan being distracted by &quot;star presence&quot;. <br><br>Without a top-heavy cast, the story itself also gains focus, and Ithink the story of No Name on the Bullet is fascinating. What happenswhen a notorious contract killer rides into town and...does absolutelynothing? <br><br>The one star of the movie, Audie Murphy, plays the gunman. I loveMurphy, one of Hollywood's misspent talents. Does this also apply tothe the character actors I refer to above? Not really.<br><br>Character players, though quite talented, rarely attain stardom -Edward G. Robinson, Claire Trevor and Claude Rains are notableexceptions - not through neglect or misuse but by some limitation ofrange or persona. Audie Murphy's talent was misspent because, thoughobvious, it was never developed, either by studios, who, myopically,only wanted to exploit his war hero status as a box office draw, ordirectors who, in Murphy's career, were usually &quot;line directors,&quot; goodfor getting a movie in the can on time and on budget rather than forgetting great performances out their players.<br><br>Which brings me to director Jack Arnold, who does a journeyman's job,but who I believe is the cause for what another reviewer wrongheadedlycalls Murphy's shortcomings. Stilted lines and studied movement are theresults of &quot;hands-off&quot; direction. This is OK for the character parts,where skilled players in simple roles don't need much direction, butnot for lead roles. Watching Murphy I'm reminded of another sadlyunderdeveloped star, Alan Ladd, whose talents always shone under agreat director, but who didn't get those directors consistently enough,in my opinion, to fulfill his promise. Coincidentally, both Murphy andLadd died prematurely. Perhaps not coincidentally, both had drinkingproblems. I wonder if they might have been experiencing similarfrustrations. <br><br>Since No Name on the Bullet contains complex secondary parts, it'sfortunate, that the players cast for these parts are outstanding, sothe characters are interesting. Unfortunately, the budget constraintsforce the runtime of the film to be far too short. The result is anumber of unresolved character studies. I want to know more about theblacksmith, the ex-flame and the judge - and more about the gunfighter.I'd also like to see more denouement. The main plot ends too abruptly,as if the producers were saying, &quot;That's all we can afford to give you,Folks.&quot; That said, I wouldn't call the ending dumb, again as thewrongheaded reviewer cited above asserts, just shortchanged.<br><br>Returning to my opening thesis, that watching a cast of talentedcharacter players carry a movie is a special treat, I highly recommendthis little gem of a Western.

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Reviewed by westerner357 7/10

Audie Murphy (as John Gant) plays it real smooth here. He manipulatesthe whole town 'leading citizens' into thinking which one is the onehe's after (that he's been hired to kill), and leaves them all feelingquite guilty over their past misdeeds. So guilty that the town bankercommits suicide, and a couple of others start shooting one anotherwithout Gant ever having to lift a finger. <br><br>This is one of the few times you'll see Murphy play a bad guy, althoughquite different from the unhinged character you'd later see him play inJohn Huston's THE UNFORGIVEN (1960). Nothing he did acting-wise, evertopped that one.<br><br>Universal has released the widescreen Technicolor DVD of this and it'sthe best way to see it. No speckling and only a couple of brief frameblemishes. Sound is excellent, although the only extra is a trailer.<br><br>Now if Universal will only see fit to release the following excellentAudiepix westerns on DVD, I'd be a happy man:<br><br>SEVEN WAYS FROM SUNDOWN (1960) w. Barry Sullivan; RIDE CLEAR OF DIABLO(1954) w. Dan Duryea; HELL BENT FOR LEATHER (1960) w. Steven McNally;and RIDE A CROOKED TRAIL (1958) w. Walter Matthau<br><br>So if you all liked NO NAME ON THE BULLET, then I bet you'll probablylike the four I listed up above. They're all solid oaters. <br><br>7 out of 10

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Reviewed by Melvin M. Carter 7/10

Audie Murphy had finally gotten a role where he could show his darkside. Picking up bits from Dan Duryea and Barry Sullivan's affable badguys in previous films he had made with them, his John Gant is a smoothprofessional killer, an arbiter of fate, who in this film atleast,seems to kill only those who truly deserve it. Cat calm and justas ruthless,he's afar cry from the baby face &quot;Man gotta do what a mangot to do&quot; types he played in other Universal westerns. His real lifeprowess as the Hero lessened the suspense of those films, in this itbrings a much needed tension; who can stop him? If he had played thegood doctor and Charles Drake was the gunslinger everyone would knowthe resolution before the fadeout. Here, in a dark reversal of&quot;Shane&quot;'s ending, the fast gun rides out of the picture,his jobcompleted,the hypocrisy and failings of the &quot;good people&quot; exposed,andthe frontier is a little more civilized. This film,along with &quot;The RedBadge of Courage,and the original &quot;The Unforgiven&quot; are the roles thatshowed that Mr. Murphy could've been a contender as an actual actor.

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