Love in the Afternoon

1957

Comedy / Crime

2
IMDb Rating 7.3

Synopsis


Downloaded 3493 times
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2.48G
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Normal
English
23.976 (23976/1000) fps /
130 min
P/S 0 / 0
1.57G
1280x720
Normal
English
23.976 (23976/1000) fps /
130 min
P/S 2 / 0

Movie Reviews

Reviewed by That Pete Kid

Love in the Afternoon is a late 50s Wilder classic. At least semi-classic.The story is about a French girl who falls in love with a swinger fromParis. The girl is Audrey Hepburn and the man is Gary Cooper. The first actlags. The only thing keeping me glued to the screen is Hepburn, who has sucha screen presence (she's pretty).<br><br>Recent comments have also noted Gary Cooper's miscasting. I'm not sure. Iagree it's hard to believe Hepburn's character falls for him. The moviejust doesn't work in his favor in the first act. It does begin to workeventually. The turning point would have to be at the picnic where heobviously starts to fall for her. Cooper falling for Hepburn: morerealistic. From that point everything takes off. Cary Grant could havepulled off the attraction, but I don't think he could have pulled off the2nd and 3rd act, and Cooper did. When he's sad (dictaphone/wine cart/saunascenes) he's a top form comic actor. Anyways - I digress.<br><br>No one can produce the feeling of heartache with so much sadness and glee asWilder can. The gypsy band should have earned a best supporting actorsnomination.

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Reviewed by bkoganbing 6/10

Love in the Afternoon was conceived and brought to the screen by BillyWilder as a homage to his friend and mentor in Hollywood, ErnestLubitsch. This French novel Ariane had been filmed before in fact, bythe Germans just before the Nazis took over and had starred ElizabethBergner.<br><br>Audrey Hepburn proved to be a worthy successor to Bergner. Whateversuccess Love in the Afternoon has is due to her performance. Sheradiates beauty and charm and no wonder Gary Cooper is so fascinated byher. Wilder would consider no one else for the lead and waited forHepburn to be free while she was on a lengthy location shooting for Warand Peace.<br><br>But it&#39;s Cooper who&#39;s the weak one here. He was not Billy Wilder&#39;sfirst choice. Cary Grant for the third and final time missed out onbeing in a Billy Wilder film having previously turned down Five Gravesto Cairo and Sabrina. The part was offered to Yul Brynner also. ButGary Cooper turned out to be available when Hepburn was and he got therole. Wilder later admitted the bad casting, but he also said that itwas his ill luck to get Cooper at the start of the health problems thatwould eventually kill him. He said Cooper got old overnight. In fact helooks as old as Maurice Chevalier and Chevalier as Hepburn&#39;s father was13 years older than Cooper.<br><br>Maurice is a detective who specializes in tracking down and confirmingspousal infidelities. He&#39;s been hired by John McGiver to find out ifhis wife has been seeing millionaire playboy Cooper. Daughter Hepburnhowever is crushing out on Gary big time and unbeknownst to Maurice shetakes it upon herself to warn him. <br><br>The old popular standard Fascination is heard through out the film andin the same year it came out, the 20+ year old standard was revived ina million selling hit by Pat Boone. <br><br>It was not an easy shoot despite those familiar Parisian location. In arecent biography of Wilder, the story is told that he had tremendousdifficulty in shooting the picnic and row boat scenes. It seems asthough the location was a breeding ground for mosquitoes and they wereunmerciful to cast and crew. Wilder took several takes just to getenough usable footage.<br><br>Audrey Hepburn fans will be mad for Love in the Afternoon, GaryCooper&#39;s though might wince when seeing it.

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Reviewed by Rick Black 10/10

This charming romance restores ones belief that the improbable, no matterhow unlikely, has, to paraphrase Conan Doyle, the ring of a singular truthand beauty. The author and director clearly knew a lot about love. I guessmy admiration for this film proves that after 30 years in a single blissfulrelationship, I am still an unabashed romantic. This film is what it's allabout. I feel sorry for those art-film historians who fail to be overwhelmedby the depth and charm of this piece and would rather pick it apart withtheir overly dissecting, maddeningly analytic tweezers, missing the pointentirely. Their lives must be rather cold and empty. <br><br>This film works. Wilder's genius pulls it off. How many among us know ofnumerous life-long loves where the age difference between the lovers wouldappear prohibitive but proves to be only a minor obstacle to a lastingrelationship. In my experience life imitates art. In this work it is thevery difference in their ages and the differing circumstances of their livesthat attract Gary Cooper and Audrey Hepburn's characters. It is thedifferences that are extra-normal that make this story so believable. He isattracted to her utterly captivating refined insouciance and she to hismasculine-straight forward worldly charm. He is the best of the fantasiesshe has constructed from her father's (Maurice Chevalier's) detectivebusiness files, and she is precisely the down home girl with her wits abouther who knows his world and his past and loves him anyway.<br><br>Why is it the desire of all those incapable of suspending disbelief even asmidgen to turn every work of art into a highly predictable, formulaicmouthful of insipid pre-stamped pabulum. How shallow. Or perhaps I am notonly overly romantic but additionally overly democratic. I am proud to seethat at least the positive vote count for this film, that is the largenumber of 9 and 10 votes, more accurately reflects the quality of thistimeless vignette, than do the rather sour comments that I have just read. If you have half a heart you will laugh and cry and truly love thisfilm!

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RARBG.mp4 [1016764.00]

RARBG.txt [30.00]

Subs\2_Eng.srt [114972.00]

Subs\3_Eng.srt [124997.00]