God's Own Country

2017

Drama / Romance

15
IMDb Rating 7.9

Synopsis


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105 min
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Movie Reviews

Reviewed by k_buck4 10

After seeing this at the Galway Film Fleadh, I can honestly say that this film is a beautiful standout that deserves more than to be called the &quot;British Brokeback Mountain&quot;. While the comparisons between the two films were inevitable, God&#39;s Own Country offers different things than Ang Lee&#39;s classic. It speaks to more current issues of gay young men in a modern rural area, masterfully incorporating themes of identity issues, immigrant problems, and familial expectations. It&#39;s not a remake of the classic, it&#39;s an advancement of the genre that Brokeback Mountain helped define. <br/><br/>The most dazzling part of this film is the two young leads, Josh and Alec. It has been many, many years since I have seen a film where two individuals had as much chemistry between them, and the work that Josh and Alec put in to their character leaves the audience deeply and emotionally connected to both characters throughout the entirety of the movie. I could feel the lust between the two when they were on stage, and the heartbreak that happens when a fight occurs. The emotional performances by the two leads make the great movie even better. <br/><br/>Props must also be given to Francis Lee-- as a first time director, this is not the movie we in the audience were expecting. It was as masterful, as poignant, and as beautiful as any established director could have done. It was an honor to watch this film, and I cannot wait to follow the career of the director-- after what he did here, I know much more greatness is on the way. <br/><br/>I have not stopped thinking about this film for 3 days after I saw it. It won&#39;t leave me for a long time, because there is so much to thing about and so much to celebrate. I cannot wait to see it again, and I encourage you to see it as soon as you possibly can- - this is what independent cinema can look like when done masterfully!

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Reviewed by dirrobsavage 10

One of the most powerful films I&#39;ve seen in years, with fearless and authentic lead performances from Josh O&#39;Connor and Alec Secareanu and beautiful, understated writing and direction from Francis Lee. Lee says more in a wordless scene than many filmmakers do in a whole feature.<br/><br/>Joshua James Richards shoots Yorkshire with a cinematic quality rarely seen in British film and operates his hand-held camera with an empathy and intuitiveness that allows him to capture many astonishingly intimate and truthful moments of performance. <br/><br/>It&#39;s these telling and tender moments which make up the film - small gestures that carry huge emotional weight. It is testament to Lee&#39;s writing and direction, and the performances of his entire cast, that these small moments (a glance, fingertips touching...) carry such a large emotional weight.

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Reviewed by JvH48 8

Saw this at the Berlinale 2017, where it was part of the Panorama section. It all happens within an unusual yet very nice setting of a farm miles from anywhere, showing how a romance develops between young farmer Johnny and a Romanian temporary farm hand. I grew up on a farm myself, and thus welcome seeing people on screen who know how to handle animals, together with demonstrating that farming is not so romantic as many think, but in fact is a 24/7 job under often unaccommodating circumstances, like cattle diseases, uncertain weather and a resisting soil.<br/><br/>The dramatic developments are nicely spread over time. I was happy to see that the story was less predictable than one assumes after having read the synopsis. Unlike in other movies, this time it is not the village people that cause trouble by frowning on gay relationships. Even Johnny&#39;s father and grandma don&#39;t make a fuss when finding out what is happening between Johnny and Gheorghe. I like these deviations from the usual downtrodden path, and I applaud that this movie introduces new elements. It allows us to follow the interesting route that this relationship takes, in any case not straight from A to B (I use the word &quot;straight&quot; here with hesitation, no pun intended).<br/><br/>An important plot element is that Johnny cannot cope with all the work before him, next to his ailing father who wants things done the way he always did in past years, issuing commands and criticism to that effect, without even considering to drop some parts of the farm or using new techniques that may help alleviate the workload. It is remarkable that Johnny does not stand up against the status quo. Even when halfway the running time the father falls victim to a second stroke, one that does not bode well for his complete recovery, Johnny insists that he &quot;will manage&quot; despite demonstrating that he cannot.<br/><br/>An external trigger event is definitely needed in making very apparent that there is more work than there is time. His father&#39;s stroke in combination with Gheorghe&#39;s decision to leave due to anticipating problems in his relationship with Johnny, forces a breakthrough. Johnny tells his father that he leaves the farm for a short while (to meet Gheorghe, and to convince him to return), and that he has plans how the farm should be run after his return. He insists that several things must change to start doing things his way, and that he cannot continue at all cost how his father did it in the past.<br/><br/>All the above combined takes care that there are ample developments to keep us awake all the running time. The characters are interesting enough and not made from cardboard, and the turns of events are not caused by the usual interference from the villagers when gay relationships are involved, but come directly from unlucky circumstances and doubtful decisions by the main protagonists.<br/><br/>All in all, next to downplaying the overly popular romantic view on running a farm, this movie also does a good job of introducing a fresh take on gay relationships. Sex is not the main binding element here, nor is resistance from the environment an issue driving them apart. Though not essential for the plot, sightseeing through the landscapes of Yorkshire works as icing on the cake. A minor problem that I have with the plot is that Johnny continues too long on his father&#39;s leash, and is very late with allowing extra help or forcing some other way out of the work overload. Even after his father&#39;s second stroke, when it becomes abundantly clear that he cannot cope, he still insists that he &quot;will manage&quot;. I missed the reasons behind the overdue switch to his new attitude that &quot;things have to change here&quot;. Maybe a nitpick on a well-made movie, that has a lot of other things to offer, making it a worthwhile watch anyway.

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