The setup is all too familiar: we have a girl who wonders about life.She has sex, is disappointed in love (always mildly by our measures)and thus "grows up." <br><br>Its a persistent fiction that is glued into filmdom and god knows howmany lives it has bent. <br><br>But as these go, this one isn't as tendentious as the others. I thinkthat's because of the triple narrative structure.<br><br>The main narrative is the girl (here Dominique Swain fresh from"Lolita"), who tells us what is going on in her mind. Thhings like "Iwish I could grow up." Sometimes her narration is her thoughts in thestory rather than over it, such as when she says something polite butis thinking something rude.<br><br>The second narrative is the story we see of course. Naturally, all thesex is akin to dreamy cuddling.<br><br>The third narrative is embedded in the story, the narrative of incisiverock songs. Indeed, they are rock songs about the very stuff of thestory and inspired by the story itself. The three are woven together,each commenting on the other.<br><br>Few young viewers will notice, but this is pretty sophisticatedstorytelling. Even though every thing in it is empty and borrowed, thewhole seems much fresher. <br><br>Ted's Evaluation -- 2 of 3: Has some interesting elements.
Comedy / Drama
Comedy / Drama
Andrea Marr is a bright, straight-A, mature, 18-year-old high school senior on the verge of womanhood who decides to abandon her sheltered, boring lifestyle and her bookish friend Darcy for a look into the local rock and roll scene as a groupie to local rock singer Tod Sparrow and learn more about the life of one who follows a touring band along with her new friends aspiring rock star wannabee Cybil, outgoing fellow groupie Rebecca, and music critic Kevin.
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