Boarding Gate

2007

Drama / Thriller

2
IMDb Rating 5.1

Synopsis


Downloaded 2448 times
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2.03G
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24.000 FPS /
106 min
P/S 1 / 0
1.28G
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24.000 FPS /
106 min
P/S 0 / 0

Movie Reviews

Reviewed by tedg ([email protected])

Two things are interesting about the film.<br><br>The first and most discussed is the actress, Asia Argento. She andBeatrice Dalle are similar I think. They both have the quality offearless commitment - like Emily Watson in &#x22;Breaking the Waves&#x22; andnever afterward. They both have fumbled around facial features. Theyboth are known as sexy &#x97; only because of nudity and the roles.<br><br>But more fundamental to me is that they both know things. I believethat an artist has to both have talent and be truly an interestingperson; they have to know things we do not. Asia does. In fact, you cansee it even in her first movie just as she is hitting puberty. Thiswoman shows us a character that has qualities that this womanunderstands. <br><br>Streep has talent but no knowledge. Asia has less talent but shematters. This is one of her best. Don&#x27;t miss it. Don&#x27;t miss how shebreathes. The nudity and story is nothing compared the grace of hervisible breathing.<br><br>Here, she plays a woman who does what we all do: make compromises forcompanionship which if it has what we want we call love. The missingbits always catch up with us and with her the writer maps these prettydeftly into components of a thriller.<br><br>The structure of that thriller is the second notable bit. Of allgenres, the thriller is most plastic. Allowing many flows so long astension and guns are involved.<br><br>The story here sneaks up on you. Almost nothing is predictable. Itstarts slowly, and then bam. It goes off in an unexpected direction.The interesting narrative device here is that we follow her anddiscover things as she does. But she knows things, many things, that wedo not. She does get surprised as we do, but not always so. At the end,she is allowed to write the future, for her lover at any rate.<br><br>My guess is that if she had never gotten and displayed that labialtattoo, she would have been taken more seriously. And we would bebetter off cinematically.<br><br>This is a good one. Angelic.<br><br>Ted&#x27;s Evaluation -- 3 of 3: Worth watching.

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Reviewed by vnums 2/10

If you&#39;re an average guy like me and enjoy good acting, good plot, goodscripts, novel ideas, or being entertained, you might want to skip thisone. I was honestly bored from the opening credits to the very end, buttried to give the film a chance, and watched it all the way through --only to be disappointed at every turn.<br><br>The acting was unbelievably sub par, but I&#39;m not sure if the actorsthemselves are to blame or if it was the ridiculously wooden andhorrible dialog coupled with an even worse script. The plot is veryvague and underdeveloped and I think the audience is supposed to derivesome kind of deeper meaning from it, or be able to look past it in someway, but honestly to do so would be a waste of time.<br><br>The film has a kind of crude sexuality to it which doesn&#39;t serve anypurpose other than to show off some tattoos and lingerie. No one seemsto have any motivation except making money off of some kind of&quot;investment&quot; deal that is never really explained. The connectionsbetween the characters aren&#39;t terribly clear, and there is little to nocharacter development.<br><br>This is either some kind of sub-culture film meant for a very specificaudience to enjoy or absolute crap, but you can decide for yourselves.<br><br>I gave it a 2 because it is definitely one of the worst films I&#39;ve everseen, but probably not THE worst.

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Reviewed by chaos-rampant 6/10

This is not quite as muddled as made out to be, but it&#x27;s not any kindof Hong Kong pistol stuff that it may appear to be based on plot andcast either. It&#x27;s the kind of film that presents itself as a thrillerbut is actually about people and the structure.<br><br>It&#x27;s a two-part complex. The first part plays like an emotional upskirtpeek at the tormented soul of this woman, who loved at the hands of aman who tossed and toyed her around for pleasure. She&#x27;s played by AsiaArgento who so effortlessly can channel sex mixed with pain - one ofher early film roles after all was back in Italy for father Dario,where she falls victim to a serial rapist. We get some stuff aboutdrugs, pistols are whipped out then forgotten again.<br><br>Now the French touch, our first pointer about what it&#x27;s all reallyabout; she becomes the character she has written about, a fictionalsci-fi woman who controls men. <br><br>Tables are switched, and turns out she was really manipulating thiswhole time from inside the image he had been used to subdue. For thesecond part we fly down to Hong Kong where it threatens again to becomea thriller. Pistols are whipped out again and forgotten once more. Herewe come to understand that she&#x27;s fallen prey to another lovercontrolling her for own purposes. There&#x27;s another woman who is alsovying for control of her strings, a sexual antagonist.<br><br>So having consummated one desire about revenge, she is not one stepcloser to being a free person. Her present suffering is still bound tothat first violence that was a sexual desire; this is given to us ashaving been raped in her sleep, and so the horrible hurt of anunconscious drive, repressed, felt to be beyond any control and so anyresponsibility. Aptly enough, this second part is about self-discoverythen; she&#x27;s vulnerable for the first time, no more games or roles,conceding to flow where it may.<br><br>It is film noir as far as world dynamics go, make no mistake. To pursuedesire is to be trapped helpless in a self-generating chimera.<br><br>Usually in noir that desire was codified as the femme fatale and who ishere our protagonist but rendered as an image, a fictional guise, fullof cracks suggesting the distraught person behind.<br><br>Finally she follows this second manipulative lover so that it can berevealed to us who was pulling the strings from behind all this time.She gets a second chance for revenge. The final image is one ofpoignant beauty, as blurry, out-of-focus for the world of plotting andmachinations that we felt as the film, she ascends out of viewliberated. She is literally no longer part of the film that was puredeceit from the start.<br><br>So for all intents and purposes, it should have been a great film aboutkarmic cycles. It&#x27;s not quite, but only because, for some reason, thiswas felt that should also appeal to a broad audience. So, it&#x27;s filmedin a syncopated manner that is associated with TV, which makes sense incontext because the camera is meant to be a frantic eye searching forthings as she is, but which probably threw a curveball at those whousually expect a character study in long painterly sweeps and would beotherwise rewarded here.<br><br>It didn&#x27;t help that it came out in the same year as No Country, anotherpost-noir, much more overtly cinematic, and a host of otherwell-received films. So not a groundbreaking film, but see it if itshows up.

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