Ator the Iron Warrior

1987

Action / Adventure

0
IMDb Rating 2.6

Synopsis


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1.66G
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English
/
82 min
P/S 42 / 52
1.05G
Normal
English
/
82 min
P/S 18 / 31

Movie Reviews

Reviewed by vampiremovies 2

This is very different from the standard sword &#39;n sandal pics, and indeed the other two Ator films. It feels more like an art house film. Lots of swirling cloths, slomo-scenes, coloured filters, weird hair styles and make up and a WTF?! Ending. Our princess wears dresses made of swirling cloths in either scarlet or blue, she has pink lips and one pink eyebrow (weird) and her hair is kinda gathered into this crest like a Greek helmet which is just odd. Ator, has his hair done like a girl, beautifully braided and is too neat and styalised to be the &#39;warrior hero&#39; he is supposed to be. The whole thing feels like a rock video, or an advert for something. The one great thing is that it isn&#39;t dubbed.<br/><br/>This is by the director of the awful 1973 &#39;Beauty of the Barbarian&#39; and had I known that I might not have bought it. This is a terrible film. Nothing much happens, its very very arty ie: pretty in a very 80&#39;s kind of way, but not much substance. The music is again poorly chosen, though its not as cringeworthy as the skippy the kangaroo stylee stuff from &#39;beauty of the barbarian&#39;. The characters are underdeveloped, and although Miles O&#39;Keeffe is undeniably lovely to look at, even he cannot save this film. The ending is sudden, weird and non sensical, if you can make it that far. The special effects like Phaedra&#39;s spinning hula hoop are tacky. There is no tension, no emotion, no real story and even the sword fights aren&#39;t particularly exciting. Still, it is quite pretty, the scenery (its filmed in Malta) is beautiful, and it does have a shirtless Miles O&#39;Keeffe.

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Reviewed by Rautus 8

Ator il guerriero di ferro (Iron Warrior) is a 1987 Italian sword and sorcery movie and third entry in the Ator series, the only one not directed by the legendary exploitation and erotica director Joe D&#39;Amato (a man of many pseudonyms) but instead directed by Alfonso Brescia (credited as Al Bradley) Joe D&#39;Amato, who denounced this sequel as a cash-in to &quot;Ator l&#39;invincibile&quot;, a film which was a direct copy and cash-in of the 1982 John Millus film &quot;Conan the Barbarian&quot;, would later return in 1990 to direct the fourth and final entry &quot;Quest for the Mighty Sword&quot; (Ator III: The Hobgoblin) &quot;Iron Warrior&quot; is often considered the overlooked addition in the series and often criticized for taking itself more serious than Joe D&#39;Amato&#39;s more unintentionally campier movies.<br/><br/>But for me, the change of tone is welcomed. Alfonso Brescia has a different style and a different vision making the movie a breath of fresh air and stands out in the series.<br/><br/>Miles O&#39;Keefe returns as Ator in name only. This would mark his final appearance as the bare chested warrior before being replaced by Eric Allan Kramer.<br/><br/>The movie might not be as hilariously campy and entertainingly bad as the previous two entries or the forth film, but it&#39;s a unique film in its own right with some beautiful location shots of Malta that sets the mood for a mystical world perfectly, the most has clearly been used with the limited budget at the filmmakers disposal. The movie is an interesting blend of b-movie cheese and art-house creativity. The story is paper thin but is made up for it in the visuals.<br/><br/>One scene in particular features Ator standing in front of a mirror as he practices with a sword, flexing his muscles, a poignant moment that orchestrates the often narcissistic vanity of heroes. There&#39;s also a catch, the scene has a second layer, with Ator training in his symmetrical reflection and the ball promptly shattering it, it creates a foreboding sense of the hero being warned that his twin brother Trogar, seduced by the dark side to be become the titular Iron Warrior, has returned.<br/><br/>Despite it&#39;s more artistic tone, the movie contains many characteristics to Italian exploitation films, the dubbing, the over the top acting, in particular Elisabeth Kaza who is clearly having fun in the role of the villainess and gives an energetic flare to the film, and most of all, the blatant copying of more bigger known Hollywood movies. &quot;2019: After the Fall of New York&quot; borrowed from &quot;John Carpenter&#39;s Escape from New York&quot;, &quot;Hell of the Living Dead&quot; borrowed from &quot;Dawn of the Dead&quot; in the case of &quot;Iron Warrior&quot;, it&#39;s a mix of &quot;Masters of the Universe&quot; and for a complete genre change &quot;Superman II&quot;.<br/><br/>A noteworthy mention is the soundtrack, to many sci-fi fans they will no doubt recognize it as Jerry Goldsmith&#39;s theme to &quot;Star Trek: The Motion Picture&quot;, later reused for the intro for &quot;Star Trek: The Next Generation&quot;, once again following the movie&#39;s trend of being influenced by science fiction as opposed to traditional sword and sorcery.<br/><br/>So sit back, sharpen your swords and embark on a mythical journey to the realm of Dragor for the unconventional Ator and fantasy film, &quot;Iron Warrior&quot;

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Reviewed by gridoon 2

&quot;Iron Warrior&quot; introduces a new style both for Ator (he has black hair now, in a ponytail, and barely utters more than fifty words in the entire movie) and for the series itself. Director Brescia drops the silliness and campiness of the two D&#39;Amato-directed &quot;Ator&quot; flicks in favor of a pseudo-arty approach. He employs every trick in the book: slow-motion, fast-motion(!), wide-angle lenses, cheap editing tricks to make people &quot;disappear&quot;, etc. But the result in nothing more than a ponderous, often incomprehensible film that you may have to struggle to get through. The Malta locations are admittedly very beautiful, though. (*)

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