Antoine and Colette

1962

Comedy / Drama

0
IMDb Rating 7.6

Synopsis


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Movie Reviews

Reviewed by MartinHafer 9

I have been looking for a copy of &quot;Stolen Kisses&quot; for some time, and so I was glad I finally found it--or thought I&#39;d found it. While my sole reason for wanting to see it was to see the Truffaut segment featuring the character &quot;Antoine Doinel&quot;, I was VERY surprised to see a DVD with ONLY this 30 minute portion from the movie on it--along with a Truffaut short, Les Mistons! What about the segments from Love At Twenty by Ophuls and the other directors? They were nowhere to be seen on the FOX/Lorber DVD! The same can be said about the DVD extra for &quot;The 400 Blows&quot;--it has the Doinel short but none of the rest of the film. Quel dommage! <br/><br/>Now, in regard to the Antoine Doinel segment, I was VERY glad I saw it, as it was the most interesting and endearing I ever saw the character. Doinel appeared in several other Truffaut full-length films and this small segment was the final one I needed to see to complete them. It was lighter in tone and &quot;cute&quot; compared to the other incarnations--much lighter than 400 blows or the other films that have a more wistful edge to them. You see a hopeful Doinel just reaching adulthood--a decent guy--just REALLY awkward with the ladies.

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Reviewed by Quinoa1984 7

Or, Antoine finds out the hard way that it&#39;s really really important to read some of the signs that are there with a young woman who isn&#39;t reciprocating a kiss or even the holding of hands. He isn&#39;t actually quite so sympathetic as he is in the 400 Blows, but maybe the mid teenage years are just the absolute worst for someone who in partucular didn&#39;t have any guidance or role models when it came to a proper relationship - though we don&#39;t get it in a flashback here, remember how the only affection Antoine saw in his youth was happening to see his mother with another man making out on the streets - and his old buddy Rene isn&#39;t much help in the ways of romance or earning a woman&#39;s affections.<br/><br/>If there&#39;s anything that may make us go &quot;ah no don&#39;t do that merde&quot; in a kind of awkward way that shows his ignorance less than maliciousness, it&#39;s when he rents the space right across the street from her. What may still endear us to Antoine is that he realizes that he&#39;s all kinds of screwed up in reading the signs (ie the scene at the movie theater), and then that gut punch at the final dinner. Not to mention that all through this Leaud is still a compelling and sorrowful little force here, channeling a fine line between innocent and too much with his records and his fascination with Collette.<br/><br/>It&#39;s a short so we can only get so much, but it&#39;s like a bittersweet slice off of a piece of fruit to chew on before we get to the next Doinel (mis)adventure - the sweetness, lastly to note, coming from all that classical music that was so big with the youth then (oh, Antoine just wait till she meets the Beatles, but I digress). 7.5/10.

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Reviewed by ksf-2 7

Poor Antoine (Jean-Pierre Léaud)... he stalks Collette (Marie-France Pisier) like any teenager follows a girl around. They keep bumping into each other, and he realizes she must live nearby. AND... they both appreciate music. She DOES string him along, and Antoine does everything he can to impress her and observe her every move. We watch as Antoine goes through the usual teen angst, trying to win over the woman he loves and hoping for the best. Truffaut had been in the business almost ten years when he made this, and one wonders if this was from his own life experiences; it WAS also written by him. Truffaut was nominated three times for Director and Writing... and sadly died young at 52. Did you notice Truffaut as &quot;the French scientist&quot; in Close Encounters ? One of the last roles he played as an actor. Antoine et Collette is pretty good. It&#39;s a bit dated, when they explain how records are made (records?? what are those ?) Showing on Turner Classics now and then. Pretty good. some sadness, like all good Truffaut films!

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