All or Nothing

2002

Drama /

2
IMDb Rating 7.6

Synopsis


Downloaded 1489 times
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1080p 720p
2.45G
Normal
Arabic
/
128 min
P/S 56 / 81
1.10G
720x390
Normal
Arabic
23.976 (24000/1001) FPS /
128 min
P/S 18 / 46

Movie Reviews

Reviewed by Paul Moran 8/10

I have just returned from a special advance showing of &quot;All Or Nothing&quot; atmy local UGC and I must say, this film exceeded my expectationsenormously.<br><br>The film is about the lives of one family in a council estate and how eachmember interacts with the community. The Father, Phil Bassett (TimothySpall) works as a Taxi driver while his wife Penny (Lesley Manville) is acheckout operator at a local supermarket. They are unmarried but have twochildren Rachel and Rory, the former being an angst-ridden, overweightlayabout who is key to the film.<br><br>Acting is superb. It is that simple. All but one performance is utterlyconvincing, especially Timothy Spall with his constant bemused grimacewhichsets the mood of both his character and the film. The one exception isDonnaplayed by Helen Coker. Her role is played up too much and seems ratherforced. Now if by any chance you're reading Helen, please don't bedisheartened; I merely saw you as the &quot;least best&quot; of an excellent bunchandI have to criticise something!<br><br>The script is authentic, witty and full of emotion while not beingrepetitive (barring the word &quot;alright&quot;!).<br><br>&quot;All Or Nothing&quot; is one of the greatest portrayals of what it is REALLYliketo be part of a down-on-your-luck working class family. I even believe thefilm ended too soon; there were a few ideas that could have been developedfurther. I mention this not as a criticism but as a tribute to Mike Leighwho actually made we wish this 2hr 28 minute film would goon!<br><br>Fantastic! Eight out of ten!!!

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Reviewed by scr1ve

This film is worth a hundred others because it is not an exercise in makinga product and marketing it successfully- instead it is a statement by a manwho is a true director, someone who feels passionately about the world we live in,and uses this fantastic medium to its highest potential.<br><br>The film is ultimately about a man (Phil, Timothy Spall) who hasphilosophized about life to the point where nothing matters to him anymore. The onlything that brings him back around the world of the living is (the only thing any of usreally need for happiness)... Love.<br><br>For me, that is one of the most pertinent and beautiful things that someonewith a voice in society can say.<br><br>P.S.It is highly likely that if anyone found this film 'too depressing' thanthey are not really primed to expect anything other than the beauty and predictability of<br><br>hollywood film. And in response to the chap who refutes the existence ofsuch misery in the real world: you are obviously a lucky, privileged chap.

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Reviewed by Howard Schumann

Phil (Timothy Spall) is an overweight taxi driver who gets up late in theday and works intermittently, barely communicating with his family exceptfor a few grunts. His philosophy of life is expressed as &quot;We're all bornalone. We die alone. There's nothing we can do about it&quot;. Mike Leigh hasgiven us powerful portrayals of the underclass in his previous films Naked,Secrets and Lies, and Life is Sweet but none more powerful and moving thanhis latest, All or Nothing. <br><br>In this film, Leigh looks at three families living in a dreary South Londonhousing complex and captures their lives with an intimacy that is almostunbearable. All or Nothing has a documentary feel, almost as if the camerawas just planted in the middle of the living room to observe. The conditionsare familiar: unemployment and underemployment, alcoholism, teen pregnancy,isolation, and the inevitable loss of self-esteem and despair. It is,however, more than a drama of oppressive social conditions, but also of lackof communication between people who desperately need love but are too afraidor lethargic to ask for it. <br><br>Spall's performance is a revelation. His unshaven face, disheveled hair, andhangdog expression communicate deep resignation. The film is bleak but Leighmixes its heartbreak with joy. When a neighbor Maureen (Ruth Sheen) sings''Don't It Make My Brown Eyes Blue,'' at a karaoke bar, her eyes shine witha glow that seems at odds with the rest of her life but is so contagiousthat even her most dispirited friends take notice. <br><br>It is obvious, from the start that something is amiss. Phil says nothingwhen his obese son Rory (James Cordon) hurls words of abuse at hiscommon-law wife Penny. Rory is an overweight bully who does nothing but layaround the house, watching TV and hurl insults at everyone in his path.Sister Rachel (Alison Garland) has a job cleaning up at a nursing home butalso seems to be going through the motions of living except when she isinteracting with patients. Penny works in a supermarket and does just abouteverything to keep the family going, but it never seems to be enough. Thefilm's sub-plots add to the feeling of life reeling out of control, but noneof these are fully developed and are just dropped without tying up the looseends. Maureen's teenage daughter is pregnant by some lout that doesn't givetwo hoots about her. Another resident, unemployed Samantha (Sally Hawkins)hates her parents and finds herself seducing a very strange young man (BenCrompton) lurking in the shadows of the complex grounds.<br><br>The second half of the film concentrates mainly on Phil and his family. Whena medical emergency occurs, the family begins to open up and express longburied feelings of hurt and resentment. The final confrontation between Philand Penny achieves an explosive power. Phil tells Penny that when he's hadenough, he just switches off the meter on his taxi. Penny responds that shedoesn't have the luxury of turning off a switch and making everything goaway, that she is still responsible for the daily chores and the conditionof the family. After Phil finally reveals his deepest fears, atransformation occurs that is unmistakably reflected in the family's facialexpressions and body language. <br><br>Leigh does not offer simple solutions, but seems to be telling us thatalthough life is painful, we can reach beyond the pain to get in touch withthe beauty. He shows us that love is the glue that holds families togetherand that either there is love or there's nothing. As a result, All orNothing pulsates with a humanity that, in spite of its bleakness, is lifeaffirming and ultimately uplifting, reminding us that beyond bitterness,there is love, and beyond suffering, there is grace.<br><br>

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Torrent Files for 720p

All.Or.Nothing.2002.WEBRip.x264-RARBG.mp4 [1185003347.00]

All.Or.Nothing.2002.WEBRip.x264-RARBG.nfo [4170.00]

RARBG.mp4 [1016764.00]

RARBG.txt [30.00]

Subs\2_Eng.srt [127099.00]